Peer Review

“Why Natasha Can’t Sing: Rethinking Cross-Genre Adaptation with Natasha, Pierre & the Great Comet of 1812,” Modern Drama 68.2 (2025), pp. 161-179

“An Open Book, Kind of: Open-Ended Stage Directions in James Ijames’ Fat Ham,” Revenge is Mad Hard: Fat Ham and the Question of Cultural Reclamation, ed. Valerie Pye and Danielle Rosvally, forthcoming

“When Doing Won’t Do: Rooting in Life and Literature,” The Journal of Narrative Theory 53.3 (2023), pp. 350-376

“There’s Something About Mary: Pseudo-Disembodiment and Narrative Ethics in Elizabeth Gaskell’s Cranford,” The Gaskell Journal 36 (2022), pp. 21-39

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